翻訳と辞書
Words near each other
・ Sue Barker
・ Sue Barnes
・ Sue Baross Nesbitt
・ Sue Barton
・ Sue Bea Montgomery
・ Sue Beardsmore
・ Sue Bell Cobb
・ Sue Bennett
・ Sue Bennett College
・ Sue Bierman Park
・ Sue Bird
・ Sue Birtwistle
・ Sue Black
・ Sue Black (computer scientist)
・ Sue Black (forensic anthropologist)
Sue Blane
・ Sue Boldra
・ Sue Bond
・ Sue Bourne
・ Sue Boyce
・ Sue Bradford
・ Sue Brooks
・ Sue Brown
・ Sue Brown (rowing)
・ Sue Burns
・ Sue C. Payton
・ Sue Campbell, Baroness Campbell of Loughborough
・ Sue Carol
・ Sue Carpenter
・ Sue Carr


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Sue Blane : ウィキペディア英語版
Sue Blane

Susan Margaret "Sue" Blane MBE is best known for her costume designs for both ''The Rocky Horror Show'' and ''The Rocky Horror Picture Show''.
==Life and career==
Blane studied costume design at Wolverhampton College of Art and at the Central School of Art and Design in London, finishing in 1971.
Before ''The Rocky Horror Show'' in 1972, Blane had already met Tim Curry in 1971 at the Citizen's Theatre in Glasgow, where they were both involved in a production of Jean Genet's ''The Maids''. Blane also designed the costumes for other ''Rocky Horror'' productions, including the 1975 Broadway production and film, and created the costume designs for the sequel, ''Shock Treatment'' (1981).
Since ''The Rocky Horror Picture Show'' was released, fans have been recreating the designs as part of screenings audience participation. A common sudience "callback" at ''Rocky Horror'' showings plays off the similarity of the name "Blane" to the word "blame." When a character in the film says someone – or something – is "to blame," audience members shout, "No, ''Sue's'' to Blane!" It is also common for audience members to shout out Blane's name during "Don't Dream It", making the character Frank N. Furter seem to say, "I wanted to be dressed ''by Sue Blane''" (instead of "dressed just the same," as written).
Blane also created the costume designs for Jonathan Miller's ''The Mikado'' for the English National Opera. Other opera credits include David McVicar's ''Carmen'' for Glyndebourne, Keith Warner's ''Lohengrin'' for the Bayreuth Festival, ''Lulu'' at the New National Theatre, Tokyo, Disney's ''The Hunchback of Notre-Dame'' (Berlin): ''The Love for Three Oranges'' (Opera North/ENO); ''The Three Musketeers'' (Young Vic); ''Capriccio'' (Staatsoper, Berlin); ''Guys and Dolls'' (RNT); ''Into the Woods'' (Old Vic / West End); ''Porgy and Bess'' (Glyndebourne) and ''La Fanciula del West'', with Plácido Domingo (La Scala, Milan).
Sue's many production design credits include ''The Relapse'', voted Best Design by What's On readers, (RNT), ''The Nutcracker'' and ''Alice in Wonderland'' for the English National Ballet; ''Midsummer Night's Dream'' (Royal Dramaten Theatre, Stockholm and RSC; ''Cabaret'' (Donmar Warehouse); ''Sylvia'' (Birmingham Royal Ballet); ''King John, The Learned Ladies'', and ''Antony and Cleopatra'' all for the Royal Shakespeare Company; ''Barber of Seville'' (Scottish Opera); ''The Duenna'' and ''Thieving Magpie'' (Opera North); ''Christmas Eve'' (ENO) and ''Lee Miller'' (Minerva Chichester). Her designs also feature in a new ballet for English National Ballet based on Oscar Wilde's novella of ''The Canterville Ghost'' conceived and choreographed by Will Tuckett.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Sue Blane」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.